Skip to main content

🎃 Local Stone...

 "Write a scary story." 

The evening. What is the evening?

Dead. What is dead?

Cruelty. What is cruelty?

Reality. What is reality?

You will find a poisonous answer soon.

 

FROM "LOCAL STONE: THE MEXICAN CITY PLAGUED BY DEATH."


"God damn, Stone! Fourteen guys more have been shot dead this morning. Fourteen! Did you hear that, Pilo?" A distance voice yelled while hearing the local news on an old radio from 1944. The noise bounced on every wall through the seven-meter-long hallway until it got to Pilo's room. It seemed as if the sound had been produced next to his ear.  


    "Wait, what?" the guy opened his eyes. Pilo had woken up. His breathing was heavy, disturbing some may assume. Scared and shocked are the words he identified the most later that day. "Fourteen guys, damn. I hoped it would be less. Fourteen families will see their son's bodies today. Fourteen..." He felt an immediate burden over his shoulders; his twenty-two-year-old mind was impacted. He sat up; after that, he did his daily breathing exercise. 


    Caria stood still in front of the kitchen court for two more minutes. The reporter recommended to stay at home, said goodbye, the news finished. Static was the only sign of life in that unpainted and damp kitchen. The black-and-yellow radio tried to get another frequency. It could not. She moved from her leaning position, looking up and down with despair and tiredness. 


    "Move on, lad! We've got a great workload." Pilo's mom muttered. Her black bags were well rounded, her mouth dry and decolored, her tin shape inconsistent. Caria went to her room, left the door open, and screamed: "If we do not go now, we won't finish by sunset, and I don't want to finish like Martinez."


    He was fully aware when he remembered what happened to his friend last week.

    The camera embodied in his left eyebrow started ringing; it stopped when Pilo pushed it. "Please, recite your engagement letter. You have got two minutes," it said. Pilo stood up from his bed, cleaned the dirty mirror in front of him, took out a note from his back pocket, and read it aloud. 


    "My job is serving people. I will pick up the body and leaving in the front house of his relatives. No, I will not be interested in the dead person. I love what I do, and no feeling is needed. Yes, I accept if I die, the company will not take charge of it. If the Yeserit sect kills me at night is because of my imprudence. I love what I do, and I commit to doing it tomorrow, too."


    "Thank you, have a great day." the miniature machine ended.

    "Hey, Mom! did you see my blue gloves? The white ones are full of blood and moisture. I saw them behind the couch, but I don't remember."

    "Do you miss Martinez?" said Caria. Her tone was far beyond gloomy and depression.

    "Mom, we are not going to suffer the same ending. We must leave now; picking up that amount of bodies will demand nine hours," shouted Pilo.

    "At least his head is good decoration. Isn't it?" finished the lady.



Onward...



Comments

Popular posts from this blog

📌 Am I an artist?

Am I an artist?  " I guess no because I don't understand a thing when looking at a piece of art." That was the answer I gave myself every time I entered a museum. Does that mean I was insecure? Well, not exactly. I was overwhelmed.   So many techniques, periods, movements, and terms made me feel sick and weak . Art is hard! I didn't study art history or anything related, but I wanted to enjoy random sculptures and artworks. Then I thought, " that had to change."  I needed a  guide   easy to read, but I wanted to create it from scratch. One   day, I took my laptop, a bunch of white sheets and started asking questions to myself. Yes, from the basics like:  What is this?  What do you represent?  How many people painted you? What is the title?   Then, I questioned myself about the moment being there (in the Museum or Gallery). This is what I found: Do the shoes I use when visiting influence my experience?  Should I know the artist be...

🌠 Emma

"Write about one fear and turn it into a character." Everything started a cloudy morning in March. Moisture around the place provoked me to sneeze and wake up. I was sat in an enclosed room. Perhaps it was the living room. I got rid of the humid bindings covering my eyes. Nothing seemed to have life inside that negative space until the sound of two flies flying around gave me the notion of freedom. Somehow their movements were rhythmic symphonies. I still don't realize how I got there. The floor was jammed-packed with untied boots, and the walls were all coat-colored. For a moment, I thought I was dreaming. My weak back felt the pressure of gravity more than ever.       And Emma was there, leaning forward, looking strong, alive, persuasive, and also, methodical. Hatred was the first sentiment I experienced the moment I looked at her black-in-black eyes. Her right arm placed over her right knee added to the way she was staring at me, paralyzed the time.  She poin...